Una Naturaleza
Primero debo hablar de los caballos, blancos e inmaculados. La primera imagen que vi fue la de un potrillo, de pelaje húmedo color tiza, anidando en el pasto oscuro. La humilde espiritualidad que emana el potrillo, bañado por una luz exquisita, me recuerda la cinematografía de Robert Bresson, específicamente en Au Hazard Balthazar.
El conjunto de imágenes que he visto posee la misma cualidad: una comprensión de la dualidad del mundo natural, con su mezcla continua de crueldad e inocencia.
Para mí, estas bellas fotografías sugieren el milagro del nacimiento, el misterio de la muerte y lo salvaje de la naturaleza.
Patti Smith
A Nature
I must first speak of the horses, white and immaculate. The first image I saw was that of a foal, with a coat of musty chalk, nestling in the dark grass. The humble spirituality emanating from the foal, bathed in exquisite light recalls the cinematography of Robert Bresson, specifically in Au Hazard Balthazar.
The handful of images I have seen all possess the same quality; with a comprehension of the duality of the natural world, with it's seamless blend of innocence and cruelty.
For me these beautiful photographs suggest the miracle of birth, the mystery of death and the savagery of nature.
I must first speak of the horses, white and immaculate. The first image I saw was that of a foal, with a coat of musty chalk, nestling in the dark grass. The humble spirituality emanating from the foal, bathed in exquisite light recalls the cinematography of Robert Bresson, specifically in Au Hazard Balthazar.
The handful of images I have seen all possess the same quality; with a comprehension of the duality of the natural world, with it's seamless blend of innocence and cruelty.
For me these beautiful photographs suggest the miracle of birth, the mystery of death and the savagery of nature.
Patti Smith